
Artist Andrew Ohanesian stands in his recent installation “Untitled (Jetway), 2010,” presented at Famous Accountants. Photo by Eric Ryan Anderson
Andrew Ohanesian doesn’t just create art; he creates art that passes for reality. The 30-year-old Bushwick transplant—when he isn’t working at his “day job” as studio manager for NYC-based new media artist Jon Kessler—is busy in his studio (site of such detritus as a working stove, piles of raw lumber, a man-sized safe, and dismembered mannequins), plotting out how to best create his next, accurately textured, convincingly lit, art installation that feels, looks, and smells so real, it blurs the boundaries between art and life.
“Mandies” was a fully working, fully-stocked (Bud on tap!) bar that he installed last fall at Bushwick’s art gallery-cum-boutique ARCH Collective. (You’d sit on the bar stool, admire wall-to-wall wood paneling, drink to your heart’s content, then step out into the bright lights of the gallery and wonder how in the hell you got there.)