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Archives for June 2014

Classic Album Sundays presents Grace Jones / ‘Nightclubbing’ for Gay Pride NYC, tonight at Baby’s All Right

June 25, 2014 By WG News + Arts Leave a Comment

grace jones nightclubbing
This is a special Gay Pride edition so put some Grace in your face and in your ears as Classic Album Sundays celebrates Gay Pride NYC, and the brand new remaster of classic club/new wave/punk funk/R&B/80s disco classic Nightclubbing!

Grace Jones recorded her fifth album (and her second New Wave inspired departure from her 70s disco recordings) in Jamaica with a stellar set of musicians known as the Compass Point Allstars. The musicians included Jamaican chart toppers, Sly & Robbie, keyboardist and silent member of Level 42, Wally Badarou, among others all under the direction of Island Records founder, Chris Blackwell and in house label producer, Alex Sadkin. The 9 song collection, 3 of which Grace co-wrote, became the biggest selling album in the Grace Jones catalog and features her most successful US single, “Pull Up To The Bumper”. Fashion, Art and Music became one and left a heavy impression for many future pop and rock superstars to take note of.

The brand new remaster of this classic club/new wave/punk funk/R&B/80s disco classic includes 4 trackes never heard before, followed by the story of the album. Then the lights go down, the volume goes up and we play the album from beginning to end on vinyl on our audiophile hi-fi sound system. Listening guidelines apply.

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WFUV presents Nikki Lane at Union Pool, tonight

June 24, 2014 By WG News + Arts Leave a Comment

For her hotly anticipated sophomore album, Nashville songstress Nikki Lane teamed up with Dan Auerbach of The Black Keys for a record that turns the vulnerable singer-songwriter stereotype on its ears.

With songs that crucify ex-boyfriends, celebrate one-night stands (as long as she can bolt town right after) and proclaim that it’s “always the right time to do the wrong thing,” Lane comes across like a modern-era Wanda Jackson, albeit with more oats to sow. “My songs always paint a pretty clear picture of what’s been going on in my life, so thisis one moody record,” she says. “There’s lots of talk of misbehaving and moving on.”

WFUV Presents Nikki Lane // Max Gomez // Actual Wolf
Tuesday Jun 24, 2014
Doors: 9:00 PM (ends at 12:00 AM)
21 and over
tickets $10

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The Films of Anton Perich: Shit on the Fenders of Your Convertible Because We’re Coming Through No Matter What

June 24, 2014 By WG News + Arts Leave a Comment

In 1973, filmmaker Anton Perich, the legendary Candy Darling and Taylor Mead, and the Broadway actor Craig Vandenburgh went to a nice apartment on Central Park West to make a film. The apartment belonged to the art collector Sam Green and the walls were groaning with Warhols. Perich came up with a simple scenario: Taylor Mead would play a decadent and perverse wall street type, Candy his socialite daughter. As the film opens, Craig Vanderbilt plays the piano for Candy while she screams “Play!” and strikes the instrument with her high heeled shoe. From there, everything is improvised. Before the night is through, Candy and Craig have split, Taylor Mead sits on the stairs, singing incoherently, with his pants around his ankles, and Anton Perich had a finished film.



Many of Perich’s films were made this way, in two or three takes and improvised from simple premises. His films and interviews feature many regulars from Max’s Kansas City (he was a busboy there) and Warhol’s clan (he was also a photographer for INTERVIEW), including Andrea Feldman, Holly Woodlawn, Jackie Curtis, Edwige Belmore and Tinkerbelle, as well as orbiting artists and celebrities like John Cage and Merce Cunningham, Hugh Hefner, Grace Jones and John Waters, resulting in an incredible cross-pollination between art and personality.

FRANKENSTINO (1973, starring Taylor Mead as Frankenstein, Katrina Toland, Jayne County and Robert Starr) was shot in the studio of sculptor John Chamberlain atop one of his giant works of foam (and features the line which serves as title for this series, uttered by Taylor Mead). In VICTOR HUGO ROJAS, the performance artist descends into an “Egyptian trance” (he’s wrapped in toilet water, spritzed with water and doused with baby powder) before destroying an original Warhol painting. In HUNTINGTON HARTFORD’S TIE e still uses improvisation to build on simple narratives – lately they often have to do with technology (he equates googling oneself to masturbating).

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Sister Spit alumni Dia Felix and Beth Lisick read at Word Brooklyn

June 24, 2014 By WG News + Arts Leave a Comment

sister spit at word brooklyn

Sister Spit alumni Dia Felix (Nochita) and Beth Lisick (Yokohama Threeway And Other Small Shames) read from their new novels, take questions, and sign.

Sister Spit is a lesbian-feminist spoken-word and performance art collective based in San Francisco, signed to Mr. Lady Records. They formed in 1994 and disbanded in 2006. The group were noted for their Ramblin’ Roadshow, performing at feminist events such as the Michigan Womyn’s Music Festival. The Boston Phoenix described it as “the coolest (and cutest) line-up of talented, tattooed, pierced, and purple-pigtailed performance artists the Bay Area has to offer”.

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Just Announced: Crash Richard at Union Pool

June 23, 2014 By WG News + Arts Leave a Comment

crash at union pool

Christopher “Crash” Richard made his name as vocalist/percussionist for Edward Sharpe and the Magnetic Zeroes. Before joining the band, Crash was the lead singer of LA-based indie rockers The Deadly Syndrome. Hardly Criminal is his solo debut.

Produced and engineered by the multitalented Ed Sharpe lead guitarist, Mark Noseworthy, (and featuring friends from the Zeros, Dawes, The Mystic Valley Band and more…) Hardly Criminal is the culmination of all that is strange and sad, hilarious and harmonious, about Crash’s own true tale. It is his story – moving, funny, weird, and stunningly beautiful. -Ticketfly

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