Aubrey Roemer, Last Caress, 2013
Strip your calendar and leave the night of October 27, open for “Ladies of the Dead,” an extravaganza of theater, visual art, comedy, music, and burlesque. The title pays homage to the Mexican goddess Mictecacihuatl, a signature deity of the holiday Dia De Los Muertos.
Aubrey Roemer and crew will transform Pumps, the Grand Street strip club, into a haunted mansion via an installation of Mr. Roemer’s original artworks. Candelabras, cobwebs, and curtains will kiss every surface.

At the outset, making a disclaimer, so as not to anger the real Barbra Streisand, the character Alex Moore emphasizes that the book is real, but all that follows is fantasy. He says the playwright doesn’t want any lawsuits, and wryly makes reference to Streisand’s famous prickly personality, but with a tone that is no less fascinated and in love with the star, and comedic all the same. Alex Moore is hired as the shopkeeper who oversees antiques in Streisand’s cellar and waits for her unannounced visits. And when she does visit, it is as if she were visiting any mall as a stranger, in an understood and improvised exchange.