El Puente Academy for Peace and Justice profiled. [Daily News]
A look at the Oakland condo project on McGuinness Blvd. [Curbed]
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El Puente Academy for Peace and Justice profiled. [Daily News]
A look at the Oakland condo project on McGuinness Blvd. [Curbed]
Photo: jet200nyc
Williamsburg kids burned by drano bomb. [Yeshiva World]
Cookie Road finally open. [Elaine Perlov]
The North Brooklyn Public Art Coalition (NbPac) has been working hard on the India Street Mural Project for a few months now and it looks like they’ve made some serious progress (above). In tune with the coalitions goal of beautifying Williamsburg, Greenpoint and Bushwick through public art, the North Brooklyn Public Art Coalition will hold a fundraiser, RE/PAINT RE/BUILD, this Wednesday (6/24) at Gallery 1889, from 7pm to 11p.
RE/PAINT RE/BUILD will take place at Gallery 1889 on June 24th, 2009, from 7PM to 11PM. The event will feature:
· RE/WARD – Silent auction featuring art from the mural project artists (8-10pm)
· RE/FUEL – Food by Chef Michael Sullivan from new Greenpoint restaurant Anella
· RE/CLAIM – Live found object portraits by artist Zito
· RE/DESIGN – Live screenprinting by the Brooklyn Printmaking Collective (bring your screenprintable goods!)
· RE/IMAGINE – Haircuts by designer/inventor/sculptor Dan Harper
Photo: bitchcakesny
Greenpoint has good, cheap vodka…go figure. [NY Examiner]
W’Burg tells City “Streets are clean.” [Brooklyn Paper]
While the Northside Festival played host to a number of buzzing up-and-comers (Real Estate, Kurt Vile, Woods, and many, many more), for my money, the breakout act of the festival was tUnE-YaRdS, aka Merrill Garbus. Merrill, who began recording music after her mother gave her a ukulele two years ago, recently released her debut Bird Brains, a collection of found sound collages, tape loops, rhythmic pitter patters and vocals so warm and gracious you’d think they were made of apple butter, on Marriage Records.
One of three showcases tUnE-YaRdS played was the Hooves on the Turf show at Trophy Bar on Saturday afternoon. Stripped of her band, Merrill opened her Saturday afternoon set with an accapella version of “Hatari,” which had goosebumps creeping up and down the arms of literally everyone in the room. She played the solo show completely acoustic adding an air of intimacy to the already intimate club. Intimate indeed, as Bird Brains standouts like “Fiya”, a romantic jalopy of a love song, and “When You Tell The Lions,” which, despite a lack of percussion, played out like a jungle rattling monster, were even more affecting in the cramped quarters, where Merrill’s majestic voice was truly on display.