Review by Jessica Nissen
R. Sikoryak’s Masterpiece Comics Theater, which I caught last night (June 17) at The Brick, is smart, very funny, direct, and unencumbered by stage artifice.
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Review by Jessica Nissen
R. Sikoryak’s Masterpiece Comics Theater, which I caught last night (June 17) at The Brick, is smart, very funny, direct, and unencumbered by stage artifice.
World premiere of the stage adaptation based on the book Fatelessness by Nobel Prize-Winner IMRE KERTÉSZ, April 9-13, at HERE Arts Center.
Imre Kertész’ Fatelessness is considered one of the most outstanding works of contemporary European literature and now, for the first time, the stage version of the novel is performed by Hungarian actor Adam Boncz, who is the first to have the rights to adapt the novel to the American stage.
Strip your calendar and leave the night of October 27, open for “Ladies of the Dead,” an extravaganza of theater, visual art, comedy, music, and burlesque. The title pays homage to the Mexican goddess Mictecacihuatl, a signature deity of the holiday Dia De Los Muertos.
Aubrey Roemer and crew will transform Pumps, the Grand Street strip club, into a haunted mansion via an installation of Mr. Roemer’s original artworks. Candelabras, cobwebs, and curtains will kiss every surface.
Michael Urie, known for his portrayal of Marc St. James on the TV series Ugly Betty, currently stars in “Buyers and Cellars,” at the Barrow Street Theatre, in a one-person production where he plays Barbra Streisand* and several other characters. The play imagines life with the great legend actress/singer. The playwright Jonathan Tolins was inspired by Streisand’s coffee table book “My Passion for Design,” which Streisand wrote, and for which she also shot all the photos. (It was published by Penguin Group in 2010.) The book is described as “a lavishly illustrated personal tour of the great star’s homes and collections,” and according to the book, the mega star turned the basement of her dream home in Malibu, into a mall, housing her vast collection of antiques and collectibles.
At the outset, making a disclaimer, so as not to anger the real Barbra Streisand, the character Alex Moore emphasizes that the book is real, but all that follows is fantasy. He says the playwright doesn’t want any lawsuits, and wryly makes reference to Streisand’s famous prickly personality, but with a tone that is no less fascinated and in love with the star, and comedic all the same. Alex Moore is hired as the shopkeeper who oversees antiques in Streisand’s cellar and waits for her unannounced visits. And when she does visit, it is as if she were visiting any mall as a stranger, in an understood and improvised exchange.