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in Theatre:

Building an Innovative Williamsburg Theater at The Brick

May 1, 2011 By Mary W. Yeung Leave a Comment

From a recent production at The Brick, “The Tremendous Tremendous” written and performed by The Mad Ones. Performers are portraying The Tremendous Travelling Abbotts (a fictional troupe of actors from 1939). (Clockwise from the top) actors Michael Dalto, Marc Bovino, Stepvnie Wright Thompson and Joe Curnutte. Photo by William Hereford

From a recent production at The Brick, “The Tremendous Tremendous” written and performed by The Mad Ones. Performers are portraying The Tremendous Travelling Abbotts (a fictional troupe of actors from 1939). (Clockwise from the top) actors Michael Dalto, Marc Bovino, Stepvnie Wright Thompson and Joe Curnutte. Photo by William Hereford

When writers/directors Michael Gardner and Robert Honeywell leased space at 575 Metropolitan Ave in Williamsburg in 2002, they just wanted a place where they could stage their own works and maybe invite a few a friends to do the same; never did they imagine that just a few short years later, the Brick would play host to a multitude of festivals, award-winning plays, improv theater, and even late night burlesque shows. “People have really latched on to this space and they’re taking us to all kinds of places,” says Gardner. From a young age, theater was in Gardner’s blood. “I grew up watching Woody Allen movies. I remember thinking I wanted to go to New York and be one of those crazy, neurotic people,” he laughs.

When he came of age, he followed his dream and enrolled in NYU to study theater, writing and music theory. “Robert and I cut our teeth in the Lower East Side experimental theater circuit. I worked with the Lower East Side Y and we staged plays in a storm cellar run by the theater group The Emerging Collector. At some point in the late 90’s, we were thinking about renting a garage in Manhattan and turning it into a small theater, but we found out people wanted a lot of money for their garages. That’s when we decided to look for a permanent performance space.” Their search lead them to Williamsburg, to a sizable garage inside a century-old building that has a previous life as an auto-body shop, and later a yoga studio. “It was a raw space when we first moved in, but we transformed it into a theater.” The theater’s name was inspired by the dramatic old brick walls that give the space its indelible character.

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Theatre Review: “Cop Piece: Undercover Mime”

October 28, 2010 By Philippe Theise Leave a Comment

Screen shot 2010-10-28 at 10.13.42 AM

Sean Edward Lewis and Laura Murphy at Lilac Co and St. John's Theatre. Photo by Philippe Theise

“Cop Piece: Undercover Mime,” the new play from Greenpoint company Lilac Co and St. John’s Theatre, delves into the frenetic cohabitation of two marginalized, unsteady characters who claim to be on the run: David, a former beat cop, and Cleo, a vampish malcontent in the fragrance industry.

“We all go through periods that can’t be skirted,” David declares in an unusually lucid moment, and this principle underlies the pair’s expression of and assault on their afflictions with a variety of dubious tactics. “I love pornography. Maybe, with that love, we can build something,” Cleo opines. It doesn’t happen.

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From London to the ‘Burg … Playing With Impressions at The Brick

June 17, 2010 By Mariella Agapiou Leave a Comment

Dandilion and the Amazing Bicycle Powered Cloud Plane

Dandilion and the Amazing Bicycle Powered Cloud Plane

The Brick is where it’s at. The Too Soon Festival that is. Last night I happened to catch two very different performances at the intimate theatre located on Metropolitan Ave. The Brick describes itself as being a “non-tourist theatre, real theatre for those that live in NYC,” and they had me at non-tourist. After you open the heavy industrial door, you are welcomed by smiling theatre-types and told to take your seat in the DIY theatre space. Its brick walls and black back drop do nothing to distract you from the performance, something the theatres in London’s West End are very good at. So I sat and waited with anticipation as to what I was about to witness. The name of the first play was rather odd but it did explain what I was to see; Dandilion and the Amazing Bicycle Powered Cloud Plane.

While watching the short play with “mean” pig people and an enigmatic bunny rabbit, montages that resemble scenes from Rocky and impromptu props, I found that after I stopped trying to work out what it all meant, what it was representing and just took it for what it was; a trip into the imagination of young experimental theatre kids, it was funny, light and enjoyable. It reminded me of some of the community theatre I have seen back home. The kind where the actors stop trying to over think the script, the costumes and even the acting and just have fun with what they obviously love to do. This little production was written by Heather Coffey and Andy Hadaway, and directed by Heather Coffey.

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Cop Piece: Episode One: A Series about Cops and Coping, lilac co at St. John’s Theatre

May 29, 2010 By Philippe Theise Leave a Comment

cop piece theatre north brooklyn

Photos by Yuki Wakamaki

Last night, in a dilapidated two-room storefront at 94 Norman Ave, local company lilac co and st john’s theatre ended its run of Cop Piece, a work-in-progress written by company co-founder and Greenpoint resident Sean Edward Lewis. Thursday night’s show included a slide presentation and a poetry reading before the play.

Narrating his slideshow in a meandering style that alternated between collapse and recovery, Chris Domenick spoke about ants, bees, living in New York, a pigeon named Baudelaire, the Macaulay Culkin film “My Girl,” and the codependency of his aunt and grandmother. He punctuated his talk with plenty of pauses, and with so many “and, ums” that the simple utterance became resonant, like a performance art om. The fixity of the slides, which ranged from images of yellow cabs to a shot of an ostrich egg that Domenick and a traveling partner threw off the Cape of Good Hope, both belied and complemented the loose associativeness of his discourse.

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Flipping the Bird (Local Director’s Chekhov)

October 15, 2009 By WG News + Arts Leave a Comment

Photo: William P. Steele

Photo: William P. Steele

By Lehman Weichselbaum

Greenpoint resident Gia Forakis, director

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